This particular compressor has many settings that allow you to customize it perfectly for your needs.

It has a mastering algorithm that is perfect for subtly compressing and amplifying different parts of the sound spectrum, such as midrange frequencies (which are typically located in vocals or guitars). You can use the FabFilter Pro-C2 compressor to master your tracks. With oversampling enabled later on as well (which reduces peaking), you are left with an even better sound than before! I also ensured transients were retained through these changes, which made for a more impressive kick, vocal, and high-hats. I also took my time to experiment with the attack and release of each band in order to make sure that distortion was eliminated. Although any change made could make other aspects worse while bringing out new parts (like changing dynamics), what matters most about mastering music is making sure nothing stands out negatively overall! When doing mastering like this, it’s important that there are no loud areas because they may cause distortion if pushed too far before reaching 0dB once again. You need a range of frequencies from low and high, so you should set up some bands with this compressor by enabling it on each section separately for instance, “bass” or “highs.” This is done when setting parameters such as amplitude and how responsive the signal will be in relation to changes.

You can use multiband compression to master your audio track using the FabFilter MB Multiband Compressor.

Waves audio track